The Nazca lines are a celebrated example of cultural property. Located in the Nazca Desert in southern Peru, the Nazca lines are a series of ancient designs called “geoglyphs” that were created by removing small, reddish pebbles to expose the…
The Nazi art confiscations and forced sales that occurred during World War II have been described as “the greatest displacement of artwork in human history.”[1] It has been estimated that between the years of 1933-1945, German forces, along with other…
True crime reporting has long captivated audiences. By reporting details of an actual crime in a sensationalized way, the genre is often described as “infotainment” – the blending of information and entertainment. The modern genre was likely inaugurated by Truman…
In today’s panel concerning the reform of U.S. cultural property policy, panelists discussed whether there is a conflict between the Convention on Cultural Property Implementation Act (“CPIA”) and the National Stolen Property Act (“NSPA”) and whether it creates a problem.…
Author: Gregory Day, Associate, Morris, Nichols, Arsht & Tunnell LLP The manner in which buyers, sellers, and dealers conduct art transactions appears, at least initially, to contradict established economic principles. This blog post seeks to identify and illustrate this phenomenon using examples…
The Committee for Cultural Policy and the Cardozo Arts and Entertainment Law Journal (AELJ) will be hosting a symposium at the Benjamin N. Cardozo School of Law on April 10, 2014 at 2 pm. Tentatively titled, Reform of U.S. Cultural Property Policy: Accountability, Transparency, and…
