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Volume 12, Issue 2
ARTICLES
Programming Access and Other Competition Regulations of the New Cable Television Law and the Primestar Decrees: A Guided Tour Through the Maze
David J. Saylor
Moral Rights Protection and Resale Royalties for Visual Art in the United States: Development and Current Status
Edward J. Damich
Film Labelling as a Cure for Colorization [And Other Alterations]: A Band-Aid for a Hatchet Job
David A. Honicky
Architect as Artist: Artists’ Rights and Historic Preservation
Patty Gerstenblith
The 1992 Cable Act and the First Amendment: What Must, Must Not, and May be Carried
Gary S. Lutzker
Rewiring the First Amendment: Meaning, Content and Public Broadcasting
Donald W. Hawthorne and Monroe E. Price
NOTES
Conservator Overreaching and the Art Owner: Contractual Protections Against the Overzealous Restoration of Fine Art
Peter Adelman
The UCC and Consignment: Making the Code Safe for Artists and Other “Little Fellows”
Mark Marcone
Volume 12, Issue 1
ARTICLES
Alienability Restrictions and the Enhancement of Author Autonomy in United States and Continental Copyright Law
Neil Netanel
Identities, Sexualities, and the Postmodern Subject: An Analysis of Artistic Funding by the National Endowment for the Arts
Carl F. Stychin
In Search of Artistic Excellence: Structural Reform of the National Endowment for the Arts
Elizabeth E. deGrazia
Protecting Art Purchasers: Analysis and Application of Warranties of Quality
Drew N. Lanier
Remember the Sabbath? The New York Blue Laws and the Future of the Establishment Clause
Marc A. Stadtmauer
BOOK REVIEW
The Art of Music Licensing. By Al Kohn and Bob Kohn
M. William Krasilovsky
NOTES
Fairness on the Field: Amending Title VII to Foster Greater Female Participation in Professional Sports
Melissa M. Beck
Think Globally, Act Locally: North American Free Trade, Canadian Cultural Industry Exemption, and the Liberalization of the Broadcast Ownership Laws
Stephen R. Konigsberg