Mark Conrad Volume 38, Issue 1
Read MoreVolume 38
Issue 1
Articles
Unpacking Trump’s Brand Value: The Cost to Secured Creditors
Xuan-Thao Nguyen Volume 38, Issue 1
Read MoreCopyright Issues With The “Black Hole” Image And Their Legal Implications
Yahong Li Volume 38, Issue 1
Read MoreNotes
Artificial Intelligence as Artist: Why and How U.S. Copyright Law Should Extend to AI
Eliza Calvin Volume 38, Issue 1
Read MoreMedia in Flux: Does Consolidation Promote the Public Interest?
Simone A. Dvoskin Volume 38, Issue 1
Read MoreIssue 2
Articles
Breaking with Convention: The Conceptual Failings of Scènes à Faire
Robert Kirk Walker Volume 38, Issue 2
Read MorePatent Fraud by Design
Mordechay Sorek, Miriam Marcowitz-Bitton & Yotam Kaplan Volume 38, Issue 2
Read MorePatenting Fast and Slow: Examiner and Applicant Use of Prior Art
Shine Sean Tu Volume 38, Issue 2
Read MoreNotes
Why Can’t We All Just Cher?: Drag Celebrity Impersonators Versus an Ever-Expanding Right of Publicity
Emily Hoenig Volume 38, Issue 2
Read MoreIssue 3
Articles
Transforming “Total Concept and Feel”: Dialogic Creativity and Copyright’s Substantial Similarity Doctrine
Carys J. Craig Volume 38, Issue 3
Read MoreCopyright Infringement Standards as They Relate to Appropriation Artists
Kimberly Pallen Volume 38, Issue 3
Read MoreNotes
Legal Graffiti and Copyright: How the Law Falls Short in Protecting This Important Artform
Kayla Epstein Volume 38, Issue 3
Read MoreThese Violent Delights Have Violent Ends: When Livestreaming Turns Deadly, Who Takes Responsibility?
Joseph Palumbo Volume 38, Issue 3
Read MoreOne Consumer’s Trash is Another’s Treasure: Upcycling’s Place in Trademark Law
Jolie Brett Schenerman Volume 38, Issue 3
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